Below are images of the featured web pages, and you can see the whole article at BusinessWeek.com.

WORK | INSPIRATION | INTEREST - PROFESSIONAL | PERSONAL

As a brief example, a typical diner out at an average priced restaurant might go something like this: You arrive and are seated by the host. When twenty minutes have elapsed, a waiter comes by to take your drink order, in which time you may or may not have a menu, and you most certainly do not have any table water. Twenty minutes after the waiter disappears your drinks arrive and you most likely order your meal. The wait between order and service is the only real commonality between French restaurant service and that in most other places, however, somehow finds a way to be exaggerated in France. If more than one course is ordered there is approximately a 50% chance they will be served simultaneously. Upon finishing the meal you can expect to spend another half hour talking over your empty plates until the waiter returns and inquires about dessert. If you order dessert, repeat the experience you've had with the entrée. If, God forbid, you decline and just ask for the check, you may be forced to imagine them growing the trees in the back of the kitchen for the paper on which the bill is printed.
The photos are pretty explanatory, but basically I epoxied foam of a similar density to that which is in the boards into the damaged areas and shaped to fit. After mixing a batch of laminating resin, I alternated layers of resin and fiberglass cloth, liberally coving the affected areas. Allowing time to cure, I applied a second thick coat of resin to give it extra body, strength, and room to sand. Following the sanding I primed both boards and let them fully dry before painting the base colors. Getting closer to finished, the boards were masked with my designs and sprayed with the graphic colors. Once dry, the masking and stencils were removed revealing the first look at the final graphic. The final step was smoothing another double coat of resin over the entire bottom surface to create a seamlessly smooth rocker and protect the graphic. With just a few hours work, two skimboards that were ready for the landfill were refurbished and will live to ride another wave!
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Inquiring with numerous people, I found nothing more than conjecture...and perhaps equally as curious, a seemingly complete lack of awareness of the trend (which is odd given France is the only place I've ever seen this). I was offered some creative hypotheses, however, ranging from preventing people from hiding in dark corners, to abatement of places to discretely urinate in public, or even an effort to compensate for the pervasive sharp corners found in provincial French architecture.
Just in time for Easter, I have a happy tale of resurrection. A few posts ago I disclosed the sordid details surrounding the loss of my beloved Canon SD600. Its been about 5 weeks since it was stolen, but in the spirit of the holiday, I have forgiven those that trespassed against me. Yes, I have completely forgiven the filthy, lawless hoard of disease-ridden, vagrant, gypsy prostitutes who stole it from me. But I digress. Today I received a very welcome package, a gift from my parents, a brand new digital camera, reincarnated as a Canon SD880 IS!
This weekend I had the opportunity to do something distinctly out of the ordinary: bouldering. Fontainebleau is nestled square in the middle of France's 2nd largest forest, La Foret de Fontainebleau. Aside from its historical significance as the royal hunting grounds, the forest is also literally world-renowned for its extensive and well-developed boulder fields. Climbers from all over the globe regard the area as the Mecca of bouldering, and this weekend I found out why.
Driving north along the A6 toward Paris there are a number of turnouts at some of the more accessible boulder fields. Entering the geological formation is surreal. The entire area is virtually covered with giant odd-shaped rocks ranging from the size of a dumpster to a two story house. Covered in moss and lichen, the boulders each have their own unique personality. Some provide formidably challenging and even quite dangerous routes for advanced climbers while others are scaled easily by novices. Most have bizarre natural formations like holes and channels, deep crevices, and are separated by narrow winding pathways between their vertical sides. I had an incredible time clamoring around on them, jumping from one to another, and seeing how far I could get without touching back down to the ground. It was an incredible adventure, and all against a natural backdrop whose beauty was only surpassed by its unusualness. I'm definitely going to go back out for some more climbing fun before my Fontainebleau experience is finished!
Check out this video of someone bouldering to get an idea of what its all about, just know i'm not nearly this hardcore.
In one of my recent posts I described the fun and intensity that defined my spring break adventure in Barcelona. The city is truly amazing with a vibrancy and energy that was at once appealing and intriguing. There was, however, one incident that left a bad taste in my mouth...and unfortunately left me without a camera for the duration of my travels. The element in question, which is now referred to by those present at the time simply as "the hooker incident," was the sole experience to put a tarnish on an otherwise fantastic holiday.
Today I came across a fascinating and informative article about the all-too-covert relationship between form, surfacing, and meaning in design. I found "A Periodic Table of Form", expertly written by Gray Holland of San Francisco's Alchemy Labs, on Core 77 as one of this month's permanent links. Structured in a way that seems derived of a slide show presentation but with the verbal element transcripted, Holland walks readers through the evolution of surface sophistication and makes insightful comparison/contrasts between form languages found in nature and those created created for man-made objects.
Feb 28-March 3
Feb 25-28
This past Friday was the culmination of the first segment of my exchange program at INSEAD. By the grace and good will of the school, we get to indulge in a week of freedom before resuming for the second period. Accordingly, a few friends and I have made arrangements to head south and take in some of the gratuitous beauty that is Barcelona and Porto. I've never been to either city, or country for that matter, so nothing but adventure awaits!
The "Blur Pavillion" as its known, was the centerpiece attraction for the 2002 Swiss National Expo by architects Diller & Scofidio. From a practical perspective, the structure which seems to float above the surface of a lake, uses over 30,000 spray nozzles to atomize lake water around the framework, effiectively creating a man-made cloud. From a conceptual standpoint, however, the cloud acts as the structure's only skin, a constantly changing, ever-moving, almost "living" facade. As the name suggests, the concept blurs the line between interior and exterior, static and dynamic, inannimate and alive.
Château Fontainebleau
The following article is out of the new BusinessWeek and features one of the 2008 winners of Japan's prestigious Good Design Award. Not only is this just plain awesome, it makes use of a concept I'd personally like to see find application in many more venues throughout society: the involvement and utilization of technology and the vast computing power now found ubiquitously in the modern world. "Parallel computing" as it's called, is akin to more efficiently using our own brains. The power and capacity is already there, ready and waiting to be tapped. By finding appropriate and responsible application of this latent potential, we move toward creating a truly synergistic and sustainable network. In essence, a more complete and holistic use of the our resources, both physical and digital.
For the past several weeks I've worked my ass off creating an application package for a study abroad program. The application involved an essay, resume, transcripts, and a three part portfolio highlighting several of my product design projects. In true Art Center fashion I finished about 20 minutes before the deadline...but that's still before the deadline. The final element was a personal interview which went well and I felt good about the whole experience. Then came the fun part: waiting for the results... And what was the result you may ask? A week later an email appeared in my inbox. Without opening it I read the fist line. "Dear Student, Congratulations! You have been selected..." Not only was I selected, but several of my good friends at Art Center, including my roommate, were also selected to the small group of participating studens. 
Part of the campus is this 12th century Château. It could be worse.
